manon lescaut met opera 2016

Met Opera: Manon Lescaut. Both singers looked awkward and uncomfortable, and the audience’s attention was diverted from the crucial death scene, although Ms Opolais and Mr Alagna sang movingly and passionately. Richard Eyre's Met Manon Lescaut disappoints despite superb orchestral playing and conducting 28 April 2016 | by TheLittleSongbird – See all my reviews 'Manon Lescaut' is not one of … Stream review of Manon Lescaut (Giacomo Puccini, Libretto by Domenico Oliva, Giuilo Ricordi, Luigi Illica and Marco Praga, after the novel L'listoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost) from Met Opera on Demand at Metropolitan Opera House, New York - reviewer: Robert Tanitch Met Opera on Demand delivers instant access to more than 500 Met performances, including Live in HD videos, classic telecasts and radio broadcasts. Another positive with Mr Alagna is that he is a natural actor and took to the role of the ardent but helpless lover of a capricious woman with ease. I’d just wanna thank you for your giving us away such marvellous opera shows which, otherwise, would be so difficult for us to attend to. Fathom Events and the Metropolitan Opera present a broadcast of Massenet’s Manon, live in select cinemas nationwide on … The Met Orchestra deftly and elegantly led by Fabio Luisi excelled in bringing out the lush and sometimes “Wagnerian” melodies and motifs of the score throughout the evening. Her voice was even throughout its registers and opened up easily into penetrating high notes. Manon herself, sung by Eva Maria Westbroek, looks back on her life, instead of Manon’s lover. One thought on “ Manon Lescaut – Met Opera ” Joe says: March 20, 2016 at 5:33 pm. His high notes are produced mostly effortlessly and his phrasing is smooth. Director Richard Eyre places the action in occupied France in a film noir setting. Tenor Roberto Alagna should certainly be commended for singing the role of Des Grieux opposite Kristine Opolais in the Met’s new production of Manon Lescaut. Giacomo Puccini's Manon Lescaut, performed as part of the Metropolitan Opera's 2015-2016 season captured live in HD on the New York stage. Notre politique de confidentialité a été mise à jour pour la dernière fois le vendredi 31 janvier 2020Voir ici Ignorer. Manon Lescaut (Italian: [maˈnɔn leˈsko]) is an Italian-language opera in four acts composed by Giacomo Puccini between 1889 and 1892 to a libretto by Luigi Illica, Marco Praga and Domenico Oliva, based on the 1731 novel Histoire du Chevalier des Grieux, et de Manon Lescaut by the Abbé Prévost.The opera was first performed in 1893 in Turin, at the Teatro Regio “Puccini’s score, rich in emotional and psychological complexity, seemed lost in the scenery”, Reviewed at Lincoln Center: Metropolitan Opera House, New York City on 12 February 2016. Tenor Roberto Alagna should certainly be commended for singing the role of Des Grieux opposite Kristine Opolais in the Met’s new production of Manon Lescaut. The cavernous set, designed by Rob Howell, featured curved stone walls with stairs in the middle for both Act I's train station with its café crowd and Act II in Manon’s Paris bedroom. Like Like. "Great Performances at the Met" Puccini: Manon Lescaut (TV Episode 2016) cast and crew credits, including actors, actresses, directors, writers and more. Ask for the credentials to edit or create your data. Edward Gardner's conducting brings out the nuances of Berlioz's complex score, but The Met's concert staging lacks theatrical thrust. 0. Manon Lescaut. The Met's new production of Manon Lescaut with Kristine Opolais and Roberto Alagna has great potential to be successful musically, but the production is mixed at best. Atsuko (Ako) Imamura is a retired investment banker in New York City. The new production had been heavily hyped as a vehicle for Kristine Opolais and Jonas Kaufmann, the Manon Lescaut dream team who had already sung successful performances of this opera together in Munich and London. Two tenors in smaller roles, Zach Borichevsky as Edmondo and Andrew Bidlack as the street sweeper, both made a strong impression with their youthful, sweet and agile voices that were heard clearly and impressively. Joe. As the two begin to make love, Geronte interrupts and threatens them. Peter Mumford’s lighting featured tableaux of light and shadow and was effective in creating the foreboding mood of the period. Our privacy policy was last updated on Friday 31 January 2020. Agreeing to take on an unfamiliar role in a high profile new production at the last minute takes a great deal of courage and faith. Royal Opera … (Credit: Marty Sohl / Metropolitan Opera) In the current social climate of today, Laurent Pelly’s vision for “Manon,” which premiered at the Met Opera back in 2012, remains as relevant as ever. He has a bright tenor voice with the requisite Italiante color, open and clear, and flexible enough to negotiate transitions throughout the register. “Desperate passion” is the phrase Puccini himself used to describe the opera that confirmed his position as the preeminent Italian opera composer of his day. The Met put that idiom sorely to the test last night when Manon Lescaut had its premiere in a sexless, charmless performance. Conducted by Fabio Luisi with Kristine Opolais (Manon Lescaut), Roberto Alagna (Chevalier Des Grieux), Zach Borichevsky (Edmondo), Massimo Cavalletti (Lescaut), Brindley Sherratt (Geronte) Kristian Schuller/Metropolitan Opera. 50+ videos Play all Mix - Met Opera 2015/16: Manon Lescaut (Puccini) Trailer YouTube Antonio Pappano introduces the music of Manon Lescaut (The Royal Opera) - Duration: 17:51. by Gregory Sullivan Isaacs published Sunday, March 6, 2016 Opolais sings the title role of the country girl who transforms herself into a Parisian temptress, while Kaufmann is the dashing student who desperately woos her. starring Opolais and Alagna. Work in progress: Met’s Manon Lescaut starring Opolais and Alagna, https://bachtrack.com/review-manon-lescaut-opolais-alagna-met-opera-february-2016, https://bachtrack.com/22/270/list-published/16328, https://bachtrack.com/files/251-ako_imamura.jpeg, Aleksandra Kurzak impresses as the Met’s new Violetta, To add a comment, please sign in or register. Singers and diminished the essentially intimate, domestic drama of the urgency of love... Lescaut ” ( final dress rehearsal ) in Met, Nov. 10, 2016 at pm. Long Manon leaves des Grieux to meet up with Manon one thought on “ Manon Lescaut (! New York scheduled Jonas Kaufmann TV with Apple TV via AirPlay confidence and beauty in the depiction the. In the depiction of the urgency of young love is not so much a continuous narrative as a,. For long to the test last night when Manon Lescaut ” ( final dress ). 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